Yves Klein, Monochrome Painting IKB47 1956
On engaging with the beauty of raw colour, he writes,
"This goes against our training. What is brightly colored? Children's toys, the Land of Oz. And so color threatens us with regression, with infantilism...
What else is brightly colored? Vulgar things, vulgar people. Color speaks of heightened emotions, even linguistically, and of eroticism...
The nineteenth-century art theorist Charles Blanc (what's in a name?) insisted that 'design must maintain its preponderance over color. Otherwise painting speeds to its ruin: it will fall through color just like mankind fell through Eve.'1 Here, then, is another reason to distrust color: it is feminine."2
That's one of the prevalent ploys of women's oppression - that we're equated with/reduced to children. Helpless, silly children. Misogynistic (colourist?)3 infantilism.
Colour perception is so fascinatingly culturally dependant.
I've read interesting diatribes on the choice of pink for breast cancer awareness. Apparently, Newton chose seven colours for his rainbow based on the prevalent ideas that seven was a proper number for scientific classifications.
So, glory in the wonderful retina-l dance that is a beautifully coloured hank of yarn! You don't have to explain your colour attraction to anyone, dammit!
________
1C. Blanc, quoted in C.A. Riley II, Color Codes. Hanover, N.H.: University Press of New England, 1995, p. 6.
2Philip Ball, p. 13-14.
3Hmm, to coin a term (and steal a word), Colourist; a person who is prejudiced against particular colours based upon culturally dependant definitions of and symbolism with said colours.